Pump
pump, pump water out! Go
charges
sea ymos we drown,
remedy do not wait! A l'sheet
Help! Help! You
id at the helm!
much space! run, run!
not see our downfall? These
Gumen abates Court because the candle! Hazi
counterbalance here! Oh, that was plaguing the ship! Mandar
maybe caulk will cure!
ay no longer
time or place that the ship was opened by the way!
do we do?
If exploited swim?
Oh, est & aacute; so angry sea
all perish! Pipes and take
tables!
Plus, I thought, what shall I do?
That I die that I can not swim!
Virgin Mother, I promise to pray your hours wisely.
If John, your escape hiermo berries. Montserrat
then interfere. I also offer
sad, coming out of this lake to go barefoot in Santiago
Eu
going to Jerusalem.
Holy Virgin of Loreto, San Ginés, socorrednos! I'm drowning
God!
San Telmo, holy bedit!
Oh, Our Lady of Guadalupe Our iniquity do not deal! Lady of Monserrate
lady oY great rescue! CHT
MLXC Oh, great relief and Bonanca!
ship comes in, to escape!
relatives who perescemos! So 'there
tardiness, help!
it a point not stopped gentlemen, that skiff!
Oh, I've had luck
as I could get into it!
agamus Domino Deo Gratias
Dignum et justum nostro est. From big
benefiçcio
receive him in this day sing with joy all day for your service!
Come, come, your, start!
helps you, Gil Picarro to
tolling with your guitar and we'll help. Wait that is lukewarm
Tiemplala
well, hi ru &XC anguish I was not any hurry to navigate demos
vento Poyser or lead us.
Garrido is the gale! Bonanca
saw as not so great desatiento
on
well ayas you, help me wind ansi against fortune. Screaming,
: Bonanca, rescue! Fear
ovistes tuviendo no longer torment or modicae fidei
esperança! This is fine
craves.
Gala is all anyone today hurts the gala slipper China
the gala, the show much promise in
slipper fierce storm, more then offers endless
From China Wax gala, gala slipper . Adios
is &document are protected by a "salad" (poetic-musical composition), called La Bomba, which was written during the English Golden Age.
is the allegory of the sinking of a boat. The sailors, Basque, Galician and English, refers to her in several of their titles, not to lose their lives. To achieve their goal, they sing a rhythmic melody, giving thanks to God for the favor received.
something close to current English would be:
Ande thus our name, (which lasts our family name, generation)
the ring with the song (playing a musical instrument goes hand in hand with singing, asp; oacute; unique style madrigal composed of heterogeneous elements. It is a festive and humorous, generally linked to the theme Christmas in the literary text which-and here his name mixed several languages, and in the course of their musical discourse changed all of a folding style, giving the game a marked development of the work.
(
http://es.wikilingue.com/ca/Ensalada
)
Mateo Flecha "Old"
born in Prades (Tarragona in 1481. It seems that he was a student of Joan Castelló capellány singer who was the chapel of John II of Aragony Navarra and Benefited from the Cathedral of Barcelona. The first known document is December 12, 1522 and it is his appointment as cantor and "tenor" of the Cathedral of Lleida, but in 1525 had left the job. You lose track until 1533 that recurs among the witnesses of the Synodal Constitutions of the bishopric of Sigüenza, the which in 1536 becomes choirmaster at the cathedral. Things should not go too well because in 1541 returns to apply for admission at the Cathedral of, but this time as a mere singer. That same year he entered the service in the chapel of the Princesses Maria and Mrs Mrs Joan daughter of Emperor Charles V and Isabella of Portugal. Linfants who lived in Arévalo (Ávila) are transferred permanently to the Ducal Palace in Guadalajara, home of the Dukes of the Infantry. Matthew arrow moves well with his nephew Mateo Flecha "El Joven". In 1548 he removed to where he allegedly died in 1553. Flecha the Elder is famous for its salads, of which Pedrell Felipe says that "... have a great tone of humor, which dominates the naive child, coupled with a mischievous intention .. .. " Juan Rodríguez Refingo in his "English Art of Poetry" of 1592 defines the salad: "Composing songs redondillasfrom which all differences are mixed meters, not just English but other languages without an order from one to another at will, the poet, and depending on the variety of letters moving music will and so called salad by mixing meters and talked about leading. " However, these works are indeed a kind of madrigal comedy, are undoubtedly more than that: a kind of transition between the English and Italian music, transition which proves the fact that the Catalan polyphony of those times is the best treats, which includes more news coming soon in Italy. While notmaster table was a large number of religious and secular works, has gone down to posterity by the aforementioned salads. Structurally speaking, these compositions are written for four or five voices and, as said, including the dramatic and sentimental alternate with the comic and the grotesque. The most celebrated works of the Arrow were transcribed for harp by Miguel de Fuenllana. Salads, compiled by his nephew, were printed in 1581 in Prague. In this book are 8 salads Arrow (La Bomba, The Fire, The Negrina, La Guerra, La Justa, El Jubilate, The Widow and The Reeds) - De Flecha two salads are kept more: Hunting jokes and salads d-2
